Eddie de Goër

Large view of the exhibition Happy Hoursa person sitting at a table, writing on a papera table with papers with handwriting jumbled all over, and pens with printed sentences in a transparent pencil holdera chair seat engraved with 'is being untruthful ever necessary?'a wooden box with two compartments, with a shredder and paper shreds underneath in one and handwritten papers in the other

The truth

Interactive installation

Table, engraved chairs, giveaway pens, papers, double compartment box with shredder

2023

The truth, which could appear as first glance as an innocuous domestic table staging, invites the visitors to sit and engage with the many questions disseminated on chairs, pens, and papers, all revolving around one problematic: under which circumstances does not telling the truth becomes okay, ethical, or otherwise acceptable? After this, they are given a choice: keep their answer to themselves by shredding them, or leave it for others to read. The pens, as giveaway objects, allow those questions to further circulate — as a reminder, a haunting, or a piece of defiance to carry with oneself and sign paperwork with?

The truth, The whole truth, And nothing but the truth is a series of three works, engaging with experiences of navigating the truth regarding one’s own reality and biography, when being truthful about oneself is impossible, dangerous, unrealistic or simply incomprehensible for others.

image creditsFranziska von den Driesch (1, 2, 4), Eddie de Goër (3, 5)